{"id":4833,"date":"2019-05-13T10:27:22","date_gmt":"2019-05-13T13:27:22","guid":{"rendered":"https:\/\/crtn.org\/?p=4833"},"modified":"2019-05-13T10:29:08","modified_gmt":"2019-05-13T13:29:08","slug":"canal-de-streaming-con-peliculas-africanas-subtituladas-al-castellano","status":"publish","type":"post","link":"https:\/\/crtn.org\/en\/canal-de-streaming-con-peliculas-africanas-subtituladas-al-castellano\/","title":{"rendered":"Streaming Channel Created With African Films"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt; font-family: georgia, palatino, serif; color: #000000;\">With 16 editions to its credit, the Tarifa African Film Festival (Andalusia, Spain) is the main gateway for African cinematography to the Ibero-American region.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt; font-family: georgia, palatino, serif; color: #000000;\">To reaffirm that position, and facilitate access to these rich and diverse cinematographies, the Festival recently inaugurated a Premium Vimeo channel.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt; font-family: georgia, palatino, serif; color: #000000;\">Like the Tarifa African Film Festival &#8211; FCAT, the Spanish-language African Film Channel focuses its efforts on the promotion and dissemination of African films and their diaspora in Spain and Latin America.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt; font-family: georgia, palatino, serif; color: #000000;\">Currently, the channel offers 18 on-demand films with a 24-hour streaming rental cost of 4.50 u$s.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt; font-family: georgia, palatino, serif; color: #000000;\">The available catalogue includes L&#8217;enfant endormi (Best Film in Valdivia, Premiere in Venice, Competition in Mar del Plata and Fipresci Prize in Freiburg) in which director Yasmine Kassari works on migration and absence in a story with poetic edges. As well as the classic story Tila\u00ef (Grand Jury Prize at the Cannes Film Festival 1990) by the recently deceased Idrissa Ouedraogo.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 14pt; font-family: georgia, palatino, serif;\"><a href=\"http:\/\/cineramaplus.com.ar\/cine-online-crean-un-canal-de-streaming-con-peliculas-africanas-subtituladas-en-castellano\/\" target=\"_blank\" rel=\"noopener\">For more information please visit<\/a><\/span><\/p>\n<p style=\"text-align: justify;\">\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>With 16 editions to its credit, the Tarifa African Film Festival (Andalusia, Spain) is the main gateway for African cinematography to the Ibero-American region. To reaffirm that position, and facilitate access to these rich and diverse cinematographies, the Festival recently inaugurated a Premium Vimeo channel. Like the Tarifa African Film Festival &#8211; FCAT, the Spanish-language African Film Channel focuses its efforts on the promotion and dissemination of African films and their diaspora in Spain and Latin America. Currently, the channel offers 18 on-demand films with a 24-hour streaming rental cost of 4.50 u$s. The available catalogue includes L&#8217;enfant endormi (Best Film in Valdivia, Premiere in Venice, Competition in Mar del Plata and Fipresci Prize in Freiburg) in which director Yasmine Kassari works on migration and absence in a story with poetic edges. As well as the classic story Tila\u00ef (Grand Jury Prize at the Cannes Film Festival 1990) by the recently deceased Idrissa Ouedraogo. &nbsp; For more information please visit<\/p>\n","protected":false},"author":472,"featured_media":4834,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/posts\/4833"}],"collection":[{"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/users\/472"}],"replies":[{"embeddable":true,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/comments?post=4833"}],"version-history":[{"count":8,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/posts\/4833\/revisions"}],"predecessor-version":[{"id":4842,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/posts\/4833\/revisions\/4842"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/media\/4834"}],"wp:attachment":[{"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/media?parent=4833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/categories?post=4833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/tags?post=4833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}