{"id":4799,"date":"2019-04-30T10:23:23","date_gmt":"2019-04-30T13:23:23","guid":{"rendered":"https:\/\/crtn.org\/?p=4799"},"modified":"2019-05-02T09:47:20","modified_gmt":"2019-05-02T12:47:20","slug":"comienza-el-rodaje-corazon-ardiente","status":"publish","type":"post","link":"https:\/\/crtn.org\/en\/comienza-el-rodaje-corazon-ardiente\/","title":{"rendered":"An Ardent Heart ( New Project)"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt; color: #000000; font-family: georgia, palatino, serif;\">Shooting begins, in Spain and other countries, on &#8220;Coraz\u00f3n Ardiente&#8221;, the new feature film with which Goya Producciones aspires to surpass the success obtained by &#8220;F\u00e1tima, el \u00daltimo Misterio&#8221; (Fatima, the Last Mystery). It deals with the Sacred Heart of Jesus, its mysterious strength, and its extraordinary effects. An original theme, without precedent in the cinematographic field.<\/span><\/p>\n<p style=\"text-align: justify;\">\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/320302118?title=0&amp;byline=0&amp;portrait=0&amp;color=8dc7dc\" width=\"800\" height=\"659\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: georgia, palatino, serif;\"><a href=\"https:\/\/www.anardentheartfilm.com\/\"><span style=\"font-size: 14pt;\">For more information please visit<\/span><\/a><\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Shooting begins, in Spain and other countries, on &#8220;Coraz\u00f3n Ardiente&#8221;, the new feature film with which Goya Producciones aspires to surpass the success obtained by &#8220;F\u00e1tima, el \u00daltimo Misterio&#8221; (Fatima, the Last Mystery). It deals with the Sacred Heart of Jesus, its mysterious strength, and its extraordinary effects. An original theme, without precedent in the cinematographic field. &nbsp; &nbsp; For more information please visit<\/p>\n","protected":false},"author":472,"featured_media":4802,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/posts\/4799"}],"collection":[{"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/users\/472"}],"replies":[{"embeddable":true,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/comments?post=4799"}],"version-history":[{"count":5,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/posts\/4799\/revisions"}],"predecessor-version":[{"id":4814,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/posts\/4799\/revisions\/4814"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/media\/4802"}],"wp:attachment":[{"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/media?parent=4799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/categories?post=4799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crtn.org\/en\/wp-json\/wp\/v2\/tags?post=4799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}